A profound, poignant story of a village healer and her community, from one of the world’s great contemporary novelists   “A complex and illuminating portrait of a group of healers in China . . . [that] offers profound insights about what it means to pursue and live a fulfilling life.�—Publishers Weekly   “A barefoot doctor herself, [Can Xue] has a unique and powerful way of transporting readers to new worlds where reality and magic are intertwined, and she uses her own experiences to make this novel feel more personal.�—Emily Park, Booklist   In rural Yun Village, herbalist Mrs. Yi lives with her husband in a cottage at the foot of Niulan Mountain, where she gathers herbs to treat the ailments of the villagers by day and studies medicine by night. Sickness and herbs are lovers, she tells her patients, rejoicing when they recover, comforting them when they do not. All the while, she hopes to find a worthy successor to take up her mantle. As curious younger villagers observe Mrs. Yi and begin imitating her work—planting gardens and studying the art of healing—they soon discover that the line dividing life from death is porous, and the mountain is more mysterious than they ever knew.   Drawing on her experiences as a barefoot doctor in her youth, Can Xue returns with a transporting novel that alights in the in-between spaces: between the living and the dead, healer and sick, nature and us.

Two young girls sneak onto the grounds of a hospital, where they find a disturbing moment of silence in a rose garden. A couple grows a plant that blooms underground, invisibly, to their long-time neighbors consternation. A cat worries about its sleepwalking owner, who receives a mysterious visitor while hes asleep. After a ten-year absence, a young man visits his uncle, on the twenty-fourth floor of a high-rise that is floating in the air, while his ugly cousin hesitates on the stairs . . . Can Xue is a master of the dreamscape, crafting stories that inhabit the space where fantasy and reality, time and timelessness, the quotidian and the extraordinary, meet. The stories in this striking and lyrical new collectionpopulated by old married couples, children, cats, and nosy neighbors, the entire menagerie of the everydayreaffirm Can Xues reputation as one of the most innovative Chinese writers in a generation.

The first full-length novel by Chinese author Can Xue to appear in English Five Spice Street tells the story of a street in an unnamed city whose inhabitants speculate on the life of a mysterious Madam X. The novel interweaves their endless suppositions into a work that is at once political parable and surreal fantasia. Some think X is 50 years old; others that she is 22. Some believe she has occult powers and has thereby enslaved the young men of the street; others think she is a clever trickster playing mind games with the common people. Who is Madam X? How has she brought the good people of Five Spice Street to their knees either in worship or in exasperation? The unknown narrator takes no sides in the endless interplay of visions, arguments, and opinions. The investigation rages, as the street becomes a Walpurgisnacht of speculations, fantasies, and prejudices. Madam X is a vehicle whereby the people bare their souls, through whom they reveal themselves even as they try to penetrate the mystery of her extraordinary powers. Five Spice Street is one of the most astonishing novels of the past twenty years. Exploring the collective consciousness of this little street of ordinary people, Can Xue penetrates the deepest existential anxieties of the present day-whether in China or in the West-where the inevitable impermanence of identity struggles with the narrative within which identity must compose itself.

Winner of the 2015 Best Translated Book Award for fiction, presented by Three Percent, a resource for international literature In Can Xue's extraordinary book, we encounter a full assemblage of husbands, wives, and lovers. Entwined in complicated, often tortuous relationships, these characters step into each other's fantasies, carrying on conversations that are "forever guessing games." Their journeys reveal the deepest realms of human desire, figured in Can Xue's vision of snakes and wasps, crows, cats, mice, earthquakes, and landslides. In dive bars and twisted city streets, on deserts and snowcapped mountains, the author creates an extreme world where every character "is driving death away with a singular performance." Who is the last lover? The novel is bursting with vividly drawn characters. Among them are Joe, sales manager of a clothing company in an unnamed Western country, and his wife, Maria, who conducts mystical experiments with the household's cats and rosebushes. Joe's customer Reagan is having an affair with Ida, a worker at his rubber plantation, while clothing-store owner Vincent runs away from his wife in pursuit of a woman in black who disappears over and over again. By the novel's end, we have accompanied these characters on a long march, a naive, helpless, and forsaken search for love, because there are just some things that can't be stopped-or helped.

A major new collection of stories by one of the most exciting and creative voices in contemporary Chinese literature Can Xue's stories observe no obvious conventions of plot or characterization. That is the only rule they follow. Instead, they tend to limn a disordered and poetic state given structure by philosophical wonder and emotional rigor. Combining elements of both Chinese materiality-the love of physical things-and Western abstract thinking, Can Xue invites her readers into an immersive landscape that blends empirical fact and illusion, mixes the physical and spiritual, and probes the space between consciousness and oblivion. She brings us to a place that is both readily familiar yet unmappable and can make us hyperaware of the inherent unreliability in our relationship to the world around us. Delightful, enchanting, and filled with secrets, Can Xue's newest collection shines a light on the forces that give contours to the visible terrain we acknowledge as reality.

A selection of harsh, sometimes violent, and often surreal stories by the premier young avant-garde Chinese woman writer.
A couple moves with their young daughter to the seaside, only to be terrorized by hostile townsfolk, predatory seabirds, and the persistent sound of the waves. Two old friends spend their waning days traipsing amongst ruined walls, imagining bubbling brooks and lush marshland. An old man lives atop a bizarre wooden building in the clouds, where he is served pancakes by a hostile youth.
These are the scenarios of just some of the stories in this generous new collection by Can Xue. Although rooted in the folk traditions of Chinese literature and the real conflicts of contemporary Chinese life, Can Xue's stories exist in a separate space and time where dreams and reality coalesce: tenderness quickly turns to violence, strange diseases are caught, and quaint landscapes become phantasmagorical. Can Xue's literary world is inhabited by ghosts, dying old men, street urchins, cobblers, farmers, cats, rats, and stray dogs. Much influenced by Borges, Kafka, and Bruno Schulz, this new collection of Can Xue's surreal stories confirms "The New York Times'" assessment that "reading Can Xue's fiction is like running downhill in the dark; you've got momentum, but you don't know where you're headed."